Apr 19, 2006

invasion

Apr 13, 2006

like it

read this article about deaf people
"With VRS, the hearing and deaf can be connected in the natural language of both parties, and it is a very effective way to communicate emotions since the interpreter emotes.... To communicate the emotions you hear in a person's voice, the interpreter signs in a certain way to a deaf person."

reminded me of alien staff






"The Alien Staff is a portable form of public-address equipment and cultural network for individuals and groups of immigrants. It is an instrument that gives the singular operator-immigrant a chance to "address" directly anyone in the city who may be attracted by the symbolic form of the equipment, by the character of the "broadcast" program, and by the live presence and performance of its owner."











and also of Claude Lelouch segment in 9'11'01 about a deaf woman who writes a letter while the tv, behind her, broadcasts the 911 atacks.

call for entries

''Culture and politics belong together because it is not knowledge or truth which is at stake, but rather judgment and decision, the judicious exchange of opinion about the sphere of public life and the common world, and the decision what manner of action is to be taken in it, as well as to how it is to look henceforth, what kind of things are to appear in it.--Hannah Arendt(The Crisis in Culture: Its Social and Political Significance, in: Between Past and Future: Eight Exercises in Political Thought, New York 1961, 223) ''












''-How can designers in future define their work in an extended and mediating field of relationships which also includes social and cognitive processes?
-Is there a way for designers to initiate and regulate intervention and participation in the field of social transformation?
-What design opportunities are linked with a view to action, networking and conditioning above and beyond formal clarity? ''

icon

received by mail.an intervention by dragos platon
"Nu stiu daca avem nevoie de eroi, asa cum nu stiu daca eroii au nevoie de noi.Nu stiu de ce bat clopotele, asa cum nu stiu daca pestele e de post. Nu stiu daca fotbalistii sunt credinciosi, asa cum nu stiu daca intelectualii sunt lasi. Nu stiu cifra exacta a bisericilor construite, asa cum nu stiu cifra exacta a emigrantilor romani. Nu stiu daca masina trebuie sfintita, asa cum nu stiu daca trebuie sa ne mantuim."

Apr 12, 2006

Apr 10, 2006

graffiti archaeology

few days ago posted something about graffiti removal
found this site about graffiti archaeology
and graffitiresearchlab

Apr 6, 2006

took a walk and found

celebrities , remedies for boring sex life and frog with no connection


Apr 3, 2006

history repeating.

there's this debate about graffiti removal.
"The biggest loser of the Commonwealth games, says graffiti artist Banksy, is Melbourne's street art scene - and London could be next for the whitewash.
Melbourne is the proud capital of street painting with stencils. Its large, colonial-era walls and labyrinth of back alleys drip with graffiti that is more diverse and original than any other city in the world. Well, that was until a few weeks ago, when preparations for the Commonwealth games brought a tidal wave of grey paint, obliterating years of unique and vibrant culture overnight."












and again there are some who say that:
"The central point here is one of permission, not art. Paint the Sistine Chapel on someone's home without their say-so and you cause hurt. But then that's not something many graffiti writers ever think about, since their main aim is self-gratification and to get a buzz out of hurting the vulnerable. That's why they never paint on their own property and would be the first to complain if somebody else did.Peter Gibson Keep Britain Tidy"



















Funny enough the sistine chapel poped in.the chapel is one of the famous examples of narrowmindness that distroys.michelangelo had no ideea how to paint lovely underwear so the geniatalia of the last judgement were covered imediatly after by another painter.reason easy to understand.
to see the good part in this maybe the restoration academies will develop a new branch.graffiti restoration.with all the knowledge and techniques.future jobs.future "i'm sorry to ever have done that"s.just because it doesn't seem so appealing at the moment.
there actually is a costarican artist,alejandro ramirez who restaures graffiti.the article is in spanish only.