Feb 28, 2006
aki kaurismaki
like it
He is also a member of the jury for visual art in memefest
(international festival for radical communication)
Feb 26, 2006
emotion map
via archinect
Feb 24, 2006
third ninja
here's a blog to check from time to time for updates.
Feb 23, 2006
Feb 22, 2006
Feb 21, 2006
brinco
via e-flux // pics via insite
non-literate communication practices
and i liked it. made me wonder what one must do to travel so much.found out a bit later.
"Everyday many of the 800 million non-literate people in the world use phones and mobile phones to communicate. Given that communication requires contact information, and contact information requires a degree of literacy, how do they manage to communicate? Ongoing research in India and China. "
Feb 20, 2006
Feb 19, 2006
Feb 16, 2006
Feb 15, 2006
Feb 14, 2006
Feb 13, 2006
simply the best
reminded me of another great personality: controversial artist darko maver.
Feb 10, 2006
Feb 9, 2006
hmmm
(ola pehrson's NASDAQ Vocal Index)
are there any similarities with the honda spot or is it just me?
Feb 8, 2006
Feb 7, 2006
i'm an addict
reading about transmediale berlin, realised i should've been there.
"REALITY ADDICTS love reality. They can't get enough of culture and nature, of music and machines, images and words and people. They are addicted to the manifold realities."
"transmediale.06 is devoted to the Reality Addicts and their artistic strategies, with which they subvert the technological paradigm of reality. They demand more than the smooth surfaces of a mediatised world, they enjoy the paradoxes, celebrate technical defects, and play with the almost possible. They commit themselves to nonsense, and seek to multiply reality by means of exaggeration, rupture, distance, and ever new diversions."
this is bix by realities united
recently been to this lecture by milka pogliani and i was reading something connected to what she was saying:
"Question by Geoff Cox: What do you tink about the possibility of the advertising industry riappropriating artistic ideas and positions?
Seems inevitable and often it’s not a bad thing. Artists propose alternative ideas to simply glue a film or advert on the building. Too often people find ideas and concepts from traditional media and simply print or glue the on the facade. It takes no time to convolute a surface: put once for a limited period of time something ugly and people will never look at that building again. A huge building is like a big TV with only one channel with a boring programme that never changes. 85% of passersby on Potsdamer Platz do not notice SPOTS. Two possible reasons: whenever the see something blindino, the tino it’s advertising and watt nothing to do with It. Or the are people coming from provincial town and want to “keep their cool” by not looking impressed.
Question from the audience:Can product placement and art coexist?
Tim Edler’s answer: At first the idea was to mix art and advertising. Artists would take a slogan from a famous brand and work on It. Take McDonald. Its slogan is “I’m loving It.” So the artist would have to create something around the “i’m loving it” concept. But R:U thought Chat eden if the name of the company is not mentionned or if the brand is criticised, McDonald would still be there on Potsdamer Platz, so the opted for the 100% artistic solution."